Friday, January 23, 2009

Heartstorming has Moved

Ian Summers' Newsletters & Articles may now be found at

http://heartstorming.com

You will find all the Idea Stimulators and newsletter articles and lots of new material.
Please visit and let me know what you think.

Thanks for visiting.


Ian Summers

Individual Career Coaching
Think Tank Team Teleconferences
Creative Direction
Sales & Marketing Coaching
Portfolio and Website Enhancement
Public Speaking
Webinars

Call for a one hour complimentary trial session.

145 South 11th Street - Loft #4
Easton PA 18042

610-438-5707
iansummers@heartstorming.com

http://iansummersartwork.com

Friday, December 19, 2008

Validaton

Get Validated!

This highly awarded short was forwarded to me by Tom Francisco. It made me smile. We all want validation, don't we?





Monday, December 8, 2008

Webinar on the Creative Calling - December 11th

If you haven't registered for my liveBooks webinar on Thursday, December 11th and would like to attend, now is the time. You must register in advance. I hope to see you there. And you may invite friends, clients and colleagues. It is about the true meaning of the word courage: from the French word la coeur (the heart). While the focus is on photography, this webinar will interest any creative person.


Complimentary Webinar
Sponsored by liveBooks




Part Three:
What if Everything You Have Learned
About Marketing Creative Services is Wrong?


Is Photography Your Calling?
If assignment photography was banned in America,
would you continue to make pictures?


Thursday, December 11th
Duration - 1 Hour
Start Time
11 AM PST
12 PM MST
1 PM CST
2 PM EST

You Must Register to Participate



Calling and Talent

Vision is a calling. A calling is an inner urge or a strong impulse, a passion, some believe a calling may be divinely inspired. How will the world be a different place as a result of your visit on the planet? What is your calling? What is it that you feel the urge and passion to bring into being no matter what?

Do you have a natural marked innate ability, for artistic accomplishment? That is a definition of talent. Talent and calling must be present to sustain a career as a professional photographer in the first decade of this new century.


Learn How to Set Goals that Don't End Up in the Back of a Drawer.
Take Back Your Power to Create.
In this Webinar, I will help you articulate your calling
and find ways to stay on your path.
You will learn how to identify what you want
and how to set priorities that will help you stay focused.

Please Email Me With Any Questions


Is One-on-One Coaching Right for You?
Participate in Think Tank Team Teleconference?
Receive Four Hours of Teleconferencing and an Hour of
Individual Coaching each Month.
Beware. I May Ask More of You Than You Ask of Yourself!

A Complimentary Hour of Coaching is Available to First Time Callers
610-438-5707

Written & Published by
Ian Summers
145 South Eleventh Street
Easton PA 18042

iansummers@heartstorming.com

Newsletter Archives
www.iansummersartwork.com

Copyright © 2008 Ian Summers

Tuesday, December 2, 2008

How to be Optimistic in a Recessed Economy



Optimism is a tendency to expect the best possible outcome or dwell on the most hopeful aspects of a situation. Antonyms: doubt, gloom, hopelessness, pessimism.

How to be Optimistic in a Recessed Economy

How are you maintaining an optimistic attitude in a recessive economy? Some wallow in the deep dark doom and gloom prophesies eminating from government, politicians, media and other sources. Some gather in groups to complain.

Therapists advise that a way to relieve depression is to take actions. What actions may you take that will turn you towards hope, growth and abundance? Most readers of this newsletter are creators. Is there a way to use the power of creation to manifest your dreams?

Is photography a calling? If the assignment photography business continues a downward turn, would you continue to make photographs? Many of you are happiest when you are creating. Will you make pictures no matter what?

When you are making pictures, do you feel happy and hopeful or do you feel angry, sad, fear or shame?
When I am creating, causing something I love or something that matters to come into being, I am a lot easier to be around. My coaching work gets better. I feel balance. And I am optimistic. I adapted the following list, years ago, to define my own circumstances. I have discovered most are universal.

You may want to add some of your own particular traits. Do not limit your list to observations which occur only when you are creating art or artifacts. Creating is a life activity; a way of life. Creating may be present in your relationships, sales, marketing, and practically everything else you do.


When I am creating...

I feel purposeful
I am deeply involved
my focus is outward
I am functional
I am focused and living in the moment
I feel relevant
there is a sense of timelessness
I have a sense of vital energy
There is a feeling of freedom
I have a sense of myself
I feel independent
life seems important


When I am not creating...

I often feel lost
I feel separate and uninvolved
my focus is inward
I am often dysfunctional
I lose focusI feel irrelevant
I feel pressured by time
I feel tired and depleted
I feel oppressed by circumstances
I have an unclear sense of myself
I am co-dependent
life seems arbitrary

Want to be more optimistic? Create some photographs that represent optimism your way. Post them to me and I will post them on the Heartstorming Blog. Here is the first contribution by Scott Dorrance.

Copyright © 2008 Scott Dorrance



Some optimism from my book
1001 Quotes, Questions & Pondering on the Creative Process


The world of achievement has always belonged to the optimist. J. Harold Wilkins

Who are the most optimistic people you know? What are their achievements? What do you know you could be more optimistic about? In what ways will that change in attitude affect your life?

Everyone who's taken a shower has an idea. It's the person who gets out of the shower, dries off and does something about it who makes a difference.
Nolan Bushnell

Where and when do your best ideas come to you? When have you had a great idea and did nothing about it? What were the results? When have you had a great idea and acted upon it? What were the results?

Everyone in our address book is a potential partner for everyone we meet. Everyone can fit somewhere in our ever-expanding business universe. Tim Sanders

Go to your personal and business address books? In what ways is each member of your network a potential partner? What gifts do you have for them?

In order to allow ourselves to be creative, we have to relinquish control and overcome fear. Why? Because real creativity is life-altering. It threatens the status quo; it make us see things differently. It brings about change, and we are terrified of change. Human beings are born with a great deal of creativity, and by the age of 12, we've lost most of it. The world just slams it out of us.

Our teachers and parents tell us that what comes from our imagination isn't true; it's just "imaginary." I think that what's imaginary is truer than what's "real." Adults prefer facts, because facts are limited. Like truth, imagination is unlimited, so many people are afraid of it.
Go outside at night in the country, where the sky is very clear. Then look up. Each one of those tiny points in the sky is a flaming sun. We're a tiny part of an enormous universe, which may be one of many universes. No one really knows for sure what's out there. So we use our imagination. Imagination allows us to ask big questions -- questions that scare us, and for which we don't have easy answers.

We live in a wild universe -- a universe in which the truth is frightening. My son died last December. He was only 47 years old. That's scary, and it's lousy, but it's true. Creativity comes from accepting that you're not safe, from being absolutely aware, and from letting go of control. It's a matter of seeing everything -- even when you want to shut your eyes.
Madeleine L'Engle

What did the well-meaning caretakers in your life tell you was not true? How did it effect how you create? If you could speak freely to those caretakers, what would you want to tell them? Write ten questions that are so huge that you are not likely to find easy answers?

If Michaelangelo had wanted to play it safe: He would have painted the Sistine Chapel Floor. Anonymous

What did you do for your art today that represented a risk?

If you want to be happy, set a goal that commands your thoughts, liberates your energy, and inspires your hopes. Andrew Carnegie

Write ten goals which reflect these characteristics.

Make everything as simple as possible, but not simpler.
Albert Einstein

Is Einstein talking about the perfect balance? In what ways do you strive towards simplicity? What happens when something is over simplified?

We cannot change anything until we accept it. Condemnation does not liberate, it oppresses.
Carl Jung

What do you need to accept before you can change it?

For a complimentary copy 0f 1001 Quotes Questions & Pondering, send me an email with 1001 in the subject line.



Complimentary Webinar
Sponsored by liveBooks


Part Three:
What if Everything You Have Learned
About Marketing Creative Services is Wrong?


Is Photography Your Calling?
If assignment photography was banned in America,
would you continue to make pictures?


Thursday, December 11th
Duration - 1 Hour
Start Time
11 AM PST
12 PM MST
1 PM CST
2 PM EST

You Must Register to Participate



Calling and Talent

Vision is a calling. A calling is an inner urge or a strong impulse, a passion, some believe a calling may be divinely inspired. How will the world be a different place as a result of your visit on the planet? What is your calling? What is it that you feel the urge and passion to bring into being no matter what?

Do you have a natural marked innate ability, for artistic accomplishment? That is a definition of talent. Talent and calling must be present to sustain a career as a professional photographer in the first decade of this new century.


Learn How to Set Goals that Don't End Up in the Back of a Drawer.
Take Back Your Power to Create.
In this Webinar, I will help you articulate your calling
and find ways to stay on your path.
You will learn how to identify what you want
and how to set priorities that will help you stay focused.

Please Email Me With Any Questions


Is One-on-One Coaching Right for You?
Participate in Think Tank Team Teleconference?
Receive Four Hours of Teleconferencing and an Hour of
Individual Coaching each Month.
Beware. I May Ask More of You Than You Ask of Yourself!

A Complimentary Hour of Coaching is Available to First Time Callers
610-438-5707

Written & Published by
Ian Summers
145 South Eleventh Street
Easton PA 18042

iansummers@heartstorming.com

Newsletter Archives
www.iansummersartwork.com

Copyright © 2008 Ian Summers

Monday, November 10, 2008

Effective Sales Promotion during the War Against Photographers and Other Opportunities



Myth:

If I send out an email marketing blast,
I better hire someone to answer the droves of phone calls
asking me to bid on their next campaign.

Of course, email may be an effective element in a photographer's marketing plans.
Before you begin to create a marketing plan, ask questions like:
Who am I? Where am I going? How am I going to get there?


What Do You Want Your Promotions to Accomplish?
"I just want to keep my name out there."
That is not enough!

A series of great promotions are most effective when they engender
the full Oh Yeah! response which may go something like this:

Oh yeah! Joan Jones. I know who she is.
I know what she does and how she sees.
Her promotion is pinned up over my desk.
I am hoping to find an application for her work next time an opportunity arises.

Sales Promotion

Why does the commercial arts industry use the term self promotion when the action is intended to increase sales. If your marketing doesn't contribute to increasing sales, why do it? Why do so many people in this industry believe sales is a four-letter word. Promoting without sales energy may make your marketing impotent. Sales promotion may help create positive perceptions and increase desire for your services.

Remember that you are not the only one promoting. Since the proliferation of email, art directors and art buyers receive an average of 100 email solicitations a day; not all from photographers. That is 500 a week. Let's say the art director or buyer was off on a shoot for a week. He or she came back to an overflowing mailbox filled with email. What do you think happened to most of those promotions unless they were different from all of the others in message, form, concept, and of course the quality of the photographs themselves.

Since e-mail has become available to everyone and photographers are buying lists of names of people whom they know little or nothing about and perhaps breaking through spam filters to some unsuspecting prospect's inbox, it produces even more clutter and is more difficult to get seen, noticed, remembered, desired, interested, inspired, etc. It does, of course, save some trees.

In addition to the dozens of email solicitations each day there are still dozens of print promotions arriving on prospects' desks. Mass e-mail is like throwing a big net over the marketplace and hoping to catch a fish. And some do catch a fish now and then. But you won't know what kind of fish you will catch unless you know what they are feeding on and that is impossible unless you know what kind of fish you want to catch.

The first thing that your promotion must do is to get the attention of the people who can give you what you want. (We will discuss how to do identify and get the attention of the right people for you at the Webinar)

Make a list of your own wants, desires and expectations.
Be as specific as you can.


To get participation from recipients
To provide fun
To be memorable
To establish you as someone who speaks your prospect's language
To develop and reinforce your brand
To establish you as a go-to-person
To show the ways you see
To cut through the clutter
To drive people to your website
To get prospects to call or take other actions
To open the possibilities to build a creative relationship



Myth:
There is a War Against Photographers
Opportunity:
Your Prospects Are Not The Enemy!


Dale Carnegie taught that people want to do business with people they like. People in our industry are complaining and blaming and thus becoming victims. But worse yet, they are making their prospects – art directors, designers, art buyers, and other people who may be able to give them what they want into villains. Some think there is a war against photographers. If you do not like and respect the people that you want to do business with and they do not like and respect you, it will be felt and the results are obvious.

Complimentary Webinar

What if Everything You Have Learned About the Marketing of Creative Services is Wrong?
Part Two: The Photography Industry's Sales Promotion Dilemma
Presented by Ian Summers


(A multi-media presentation of Part One is available now)

Register Now for this Complimentary One Hour Webinar!

November 18th
11AM - Noon PST
Noon - 1 PM MST
1PM - 2PM CST
2 PM - 3 PM EST

In this chapter of Ian Summers' Webinars, dispelling industry myths will dispel the e-mail myth and
talk about the opportunities and expectations for effective photographers' sales promotions.

Myth:
If I buy a great list and send out an email marketing blast every few weeks,
I better hire someone to answer the droves of phone calls
asking me to bid on their next campaign.

Wanting to Just Keep Your Name Out There is Not Enought!


Learn how to Achieve the Oh Yeah! Response

Oh yeah! Joan Jones. I know who she is.
I know what she does and how she sees.
Her promotion is pinned up over my desk.
I am hoping to find an application for her work next time an opportunity arises.

Learn how to use the same creative energy to
produce imaginative and effective sales promotions.

Wednesday, October 29, 2008

Lou Dorfsman Dies at 90

I am sorry to report that one of the greatest and most influential graphic designers of the modern era, Lou Dorfsman, died yesterday at 90. Here is a link to his NYT obit written by Steven Heller and Heller's tribute on his blog. He was the VP Design Director of CBS for about 40 years and a member of The Art Director's Club Hall of Fame. Dorfsman was one of my heroes when I was a young art director.

If you read only one of the many articles about Lou Dorfsman's career, Michael Beirut's is the best. It may be found at Design Observer. Spend some time on this site to learn about what is going on in the graphic design business.

Effective Sales Promotion During the War Against Photographers and Other Opportunities

What Do You Want Your Promotions to Accomplish?
"I just want to keep my name out there."
That is not enough!

Promotions are most effective when they engender the full
Oh Yeah Response which may go something like this:

Oh yeah! Joan Jones. I know who she is.
I know what she does and how she sees.
Her promotion is pinned up over my desk.
I am hoping to find an application for her work next time an opportunity arises.


Sales Promotion

Why does the commercial photography industry use the expression self promotion when the action is intended to increase sales. If your marketing doesn't contribute to increasing sales, why do it? Why do so many people in this industry believe sales is a four-letter word. Promoting without sales energy may make your marketing impotent. Sales promotion may help create positive perceptions and increase desire for your services.

Remember that you are not the only one promoting. Since the proliferation of email, art directors and art buyers receive an average of 100 email solicitations a day; not all from photographers. That is 500 a week. Let's say the art director or buyer was off on a shoot for a week. He or she came back to an overflowing mailbox filled with email. What do you think happened to most of those promotions unless they were different from all of the others in message, form, concept, and of course the quality of the photographs themselves.

Since e-mail has become available to everyone and photographers are buying lists of names of people whom they know little or nothing about and perhaps breaking through spam filters to some unsuspecting prospect's inbox, it produces even more clutter and is more difficult to get seen, noticed, remembered, desired, interested, inspired, etc. It does, of course, save some trees.

In addition to the dozens of email solicitations each day there are still dozens of print promotions arriving on prospects' desks. Mass e-mail is like throwing a big net over the marketplace and hoping to catch a fish. And some do catch a fish now and then. But you won't know what kind of fish you will catch unless you know what they are feeding on and that is impossible unless you know what kind of fish you want to catch.

The first thing that your promotion must do is to get the attention of the people who can give you what you want. (We will discuss how to do identify and get the attention of the right people for you at the Webinar)

Make a list of your own wants, desires and expectations. Be as specific as you can.

To get participation from recipients
To provide fun
To be memorable
To establish you as someone who speaks your prospect's language
To develop and reinforce your brand
To establish you as a go-to-person
To show the ways you see
To cut through the clutter
To drive people to your website
To get prospects to call or take other actions
To open the possibilities to build a creative relationship

Myth:
There is a War Against Photographers
Opportunity:
Your Prospects Are Not The Enemy!

Dale Carnegie taught that people want to do business with people they like. People in our industry are complaining and blaming and thus becoming victims. But worse yet, they are making their prospects – art directors, designers, art buyers, and other people who may be able to give them what they want into villains. Some think there is a war against photographers. If you do not like and respect the people that you want to do business with and they do not like and respect you, it will be felt and the results are obvious.

What Do You Think?
I would like to hear your ideas and opinions at the
Heartstorming Newsletter Blog

Is One-on-One Coaching Right for You?
Think Tank Team Teleconference Members
Receive Four Hours of Group and an Hour of
Individual Coaching each Month.
Beware. I May Ask More of You Than You Ask of Yourself!

Call Me to Book a Complimentary Hour of Coaching
610-438-5707

iansummers@heartstorming.com

Monday, October 20, 2008

liveBooks Webinar, Photo Plus, Free Portfolio Reviews

Thanks to all of you who attended my liveBooks Webinar on October 1st entitled What if Everything You Have Learned About Marketing is Wrong?

I will also be presenting an expanded version of the topic at:

Photo Plus
Javitts Center, NY
Saturday October 25th at 9am
What if Everything You Have Learned About
The Marketing of Creative Services is Wrong?
Free Portfolio Reviews at the liveBooks Booth Each Afternoon

I will be offering portfolio reviews at the liveBooks booth each afternoon during the event. You will need to register with liveBooks. These 30 minute reviews are available on a first come first served basis. And they are free. If you are at the event, make sure you say hello.

Second liveBooks Webinar
November 5th

The second episode in the webinar series will be presented on November 5th. I will send an announcement to all of you right after Photo Plus. We will dispel the e-mail myth and talk about the opportunities and expectations in an effective photographer's promotion.

Myth:
If I send out an email marketing blast,
I better hire someone to answer the droves of phone calls
asking me to bid on their next campaign.

Opportunities
Of course, email may be an effective element in a photographer's marketing plans. I believe there are some questions that must be asked before you choose any medium. Before you begin to create a marketing plan, questions like: Who am I? Where am I going? How am I going to get there? But this discussion is about sales promotion.

Monday, October 6, 2008

Diversify: It may be Liberating!

Welcome. In my last newsletter, I asked this question: What if everything you have learned about the marketing of creativity is wrong? I listed twelve myths. This next series of newsletters will be about how believing in the myths can be detrimental to your creativity and consequently your career.

Diversifying is an early 21st C. Imperative

The Heartstorming definition of creating is causing what you love or what matters to you to come into being. This definition is about the qualities of an action; a way of living. However, it does not address the question: What is art? Can art be made without passion? Is art in the eyes of the beholder? Does art demand that it must adhere to 'artistic' characteristics? Must it be beautiful? Is commercial art ! really an art?

There are many articles discussing Commercial Art v. Fine Art on the Internet. Google it. The symbol v. (for versus) suggests a contest or hierarchy between the two. I often hear an argument saying that some of the greatest art in the world, which usually gets directed towards the Sistine Chapel ceiling, saying that Michelangelo was a commercial artist. Michelangelo was a commissioned artist. And the kind of commission awarded him by Pope Julius was not about selling goods and services; about getting attention; about helping make some company a profit on their investment. It was about inspiring visitors to the chapel.
Many photographers are long on passion, but for what? Some direct their passion towards subjects that inspire them and others. Some are passionate about technology. Some have chosen commercial directions because they realize that artists must eat and have shelter and supplies and... That costs money. Michelangelo knew that and his patrons recognized his passion and genius. There was only one Michelangelo Buonarroti.

Michelangelo's passions were directed towards painting, drawing, anatomy, sculpture, architecture, poetry, et cetera. He was indeed a Renaissance man. Passionate. Multi-talented. Driven to extremes. Powerful. Romantic. Un-compromising. He was diversified. In spite of what others thought, Michelangelo brought what he loved into being. It wasn't always welcome.

The Last Judgment

The idea of commissioning an enormous fresco, the largest ever painted in the 16th Century, depicting The Last Judgment, was probably suggested to Clement VII by the traumatic events that were undermining the unity of Christians at the time. After the Pope's death, on September 25, 1534, and only two days after Michelangelo's arrival in Rome, his successor, Paul III Farnese confirmed the commission to Michelangelo and in April 1535 scaffolding was put in front of the altar wall.

...The Last Judgment was to represent humanity face-to-face with salvation.

The Scandal

Even before its official unveiling, The Last Judgment became the target of violent criticisms of a moral character. Vasari relates that Biagio da Cesena, The Vatican's Master of Ceremonies, said that "It was mostly disgraceful that in so sacred a place there should have been depicted all those nude figures, exposing themselves so shamefully, and that it was no work for a papal chapel but rather for the public baths and taverns."

Michelangelo was slow to take revenge: The poor Biagio was portrayed in Hell, in the figure of Minos, shown with a great serpent curled around his legs, among a heap of devils.

...But the nudity of the figures worried neither Paul III nor his successor Julius III. It was not until January 1564, and about a month before Michelangelo's death, that the Assembly of the Council of Trent took the decision to amend the fresco.

Myth Defined

A popular belief or story that has become associated with a person, institution, or occurrence, especially one considered to illustrate a cultural ideal: a star whose fame turned her into a myth; the pioneer myth of suburbia. A fiction or half-truth, especially one that forms part of an ideology.

Luddite Defined

An individual who is against technological change. Luddite comes from Englishman Ned Lud, who rose up against his employer in the late 1700s. Subsequently, "Luddites" emerged in other companies to protest and even destroy new machinery that would put them out of a job. A neo-Luddite is a Luddite in the Internet age. A neo-Luddite refers to those who resist new ideas or change thus thwarting the potential to grow.


Growth Demands Change!
If we do not change, the market will do it for us and
it might not look so pretty.

Do not ask whether it is possible to grow your business and be creatively fulfilled in the current recession market? Re-frame the question. Don't ask if it is possible -- instead ask how it can best be accomplished. Assume is is possible.



It is ineffective to do the same thing
or even the same thing differently.

It is vital to innovate; to do something new and different.

The Time is Ripe!

Photographers must make drastic and far-reaching changes in their
ways of thinking and behaving.

Myth:
You must do only one thing and do it well!

Demythified:
You may do many things and do them all well!

Diversify!
Try it. It may be Liberating.

Some photography consultants and most art buyers have recommended that photographers choose between this OR that! Photographers have been told they need to do one thing, get known for it, and do it well. This has served many photographers in the past.

Ask yourself whether your product and marketing continue to be effective. Are sales increasing or decreasing. Are you satisfying your creative dreams?

Did you come into this business to shoot one subject more or less the same way for 40 years? Do you think art directors and the like came into this business to work on one account or on one category, such as food or cars, for their entire career? Hopefully they chose their profession because they loved it and for the varieties of ways they will express their passions over the length of their careers. And you?

It is possible to be this AND that and that and that... It is possible to be a still life, life style, and portrait photographer. Why not? It is possible for a photographer to shoot cars, architecture, corporate annual reports, promotional literature and national ads. Why not? Perhaps your survival demands diversity.

In order to choose diversity and to sell it, it is important to understand a major paradigm shift. Don't sell the content of your photographs, Sell the ways that you see. Find the thread that connects all of your passions together. Sell the thread; not the subject matter. I call that the Thread of Vision. If you do not have one, find one. If you can't find it or are not certain, call me.

My entire career is based upon change and diversification. I have been an art educator, art director, creative director in advertising and publishing, think tank operator, author, book designer, owned my own publishing company, was creative director of The Creative Black Book, a published poet, an exhibiting painter, a public speaker, career coach and workshop presenter. Even in my current role as a career coach I have multiple streams of revenue. I do not consider myself any of those things. Those career elements make up the person who I am. Each feeds the other and makes the whole stronger. I see myself as a creative adventurer which has helped to define who I am and what I stand for.

Photographers are looking at new markets and applications for their work. Advertising photographers, for example, are looking at fine art and weddings. Some are expressing their creativity in completely different arenas. Quite a few of my clients have become teachers. It is not necessary to give up one for the other. It is possible to do this AND that. In a recessive economy we must diversify our portfolios. Using an analogy; that is what your financial planner would tell you about investments. And your career is an investment in yourself.

To learn more about diversity call me.
I will tell you about individual coaching and group teleconferences.

610-438-5707

For more about my services and testimonials

The Heartstorming Philosophy

Copyright © 2008 Ian Summers